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Augmented Embodied Performance

Authors:

Rikard Lindell, Tomas Kumlin

Research groups:

Information Design
Ubiquitous Computing

Publication Type:

Conference/Workshop Paper

Venue:

New Interfaces for Musical Expression

Abstract

We explore the phenomenology of embodiment based on research through design and reflection on the design of arte- facts for augmenting embodied performance. We present three designs for highly trained musicians; the designs rely on the musicians’ mastery acquired from years of practice. Through the knowledge of the living body their instruments —saxophone, cello, and flute— are extensions of themselves; thus, we can explore technology with rich nuances and precision in corporeal schemas. With the help of Merleau-Ponty’s phenomenology of embodiment we present three hypotheses for augmented embodied performance: the extended artistic room, the interactively enacted teacher, and the humanisation of technology.

Bibtex

@inproceedings{Lindell4823,
author = {Rikard Lindell and Tomas Kumlin},
title = {Augmented Embodied Performance},
month = {May},
year = {2017},
booktitle = {New Interfaces for Musical Expression},
url = {http://www.es.mdu.se/publications/4823-}
}